Charley Friedman’s performance “Adenoid’s Adenoid” between Sixth and Seventh Avenues (Photos by Ed Woodham)
By Sabina Mollot
This year’s Art in Odd Places festival, an outdoor exhibit of performances and installations, took place along the length of 14th Street from Thursday, October 12 to Sunday, October 15. For those who missed it — or just didn’t get a chance to see everything — the art this year took a lot of cues from nature and health-related topics as well as other issues near the hearts of the 60-plus participants. This was in keeping with the theme of “sense.”
Linda Mary Montano was a nursing home patient aided by healthcare workers. Lulu Lolo blessed immigrants on the street as Mother Cabrini. Clarivel Ruiz provided blessings through rose water and dance. Antonia Perez gave out plastic flowers she made out of grocery bags.
Performer Lulu Lolo will bless immigrants as Mother Cabrini in this year’s festival, which has more performance art installations than visual ones. (Photos courtesy of AiOP)
By Sabina Mollot
Art in Odd Places, the annual outdoor array of performance and visual art that takes over the length of 14th Street for several days, is back. This year, the festival is running from Thursday, October 12 to Sunday, October 15 with a reception on Friday, October 13 from 6-8 p.m., also outdoors, on 14th Street between Seventh and Eighth Avenues.
This is the festival’s 14th year and it’s now been on 14th Street for a decade with the location having been chosen because of its site as a crossroads to a few different neighborhoods.
In keeping with tradition, each year’s festival has a theme and this year’s is “sense,” which a press release explains is supposed to “welcome gestures that aim to awaken dormant perceptions.”
The festival’s 60-plus artists have chosen to interpret it in many different ways, according to one of AiOP’s three curators, Nicolás Dumit Estévez Raful.
“Ways that are sometimes literal, and in ways that are metaphorical,” he said.
An artist participating in the upcoming Art in Odd Places festival, Walis Johnson, will have a mobile installation along 14th Street detailing how people of color faced discrimination in Stuyvesant Town and other areas. (Pictured) Some of the artifacts that go along with stories she’s collected by doing interviews (Photo courtesy of Walis Johnson)
By Sabina Mollot
There’s no question that race is the most widely covered topic this year in the news, whether the word’s in reference to the upcoming presidential election or race as in skin color, with recent protests stemming from the Black Lives Matter movement. So it shouldn’t come as a surprise that it’s the theme chosen for artists to run with in what is sure to be a politically charged Art in Odd Places festival.
The annual art show, which features both visual and performance art pieces along the length of 14th Street for a few days, is set to run this year from October 6-9.
This year there will be 34 artists, most of them with works that are performance based. The event was founded by teaching artist Ed Woodham, and this year there are four curators: Elissa Blount-Moorhead, Rylee Eterginoso, Tumelo Mosaka and Ikechukwu Onyewuenyi.
Walis Johnson, a filmmaker, artist and teacher at Parsons School of Design, is looking to interview residents of Stuyvesant Town who have lived in the neighborhood for 30 years or longer. The conversations will aid in her production of “The Red Line Archive,” a mobile art piece aimed at igniting public dialogue about the political, social and personal impacts of the 1938 Red Line Maps. The project will be part of the Art in Odd Places festival that takes place every October along the length of 14th Street.
Redlining refers to a federal map officially drawn in 1935 that selectively denied financing for housing mortgages, insurance and other services in neighborhoods demarcated by red shading on a map. Redlined neighborhoods became zones of disinvestment and urban neglect where services (both financial and human) were systematically denied to people of color and ethnic working class citizens.
For this years’ AiOP festival, themed “Race,” Johnson is working with photographer Murray Cox and NYU professor Aimee vonBokel to add information to the site specific exhibition about the area of 14th Street from First Avenue to Avenue C.
Artists Samantha Hill and Ed Woodham outside their temporary apartment in Macon, Georgia (Photo courtesy of Hill and Woodham)
By Sabina Mollot
Ed Woodham, the founder of the Art in Odd Places festival, an event that takes over the length of 14th Street each October with visual and performance art pieces, has been kicked out of a community arts program that he now believes was aimed at promoting gentrification.
Woodham and another artist he partnered with on an artist-in-residence project, Samantha Hill, said that last Tuesday they were given the boot from this program — and their temporary home — when they failed to do publicity for it. This was after just 21 days of what was supposed to be a three to four-month residency in Macon, Georgia.
The problem, explained Woodham, is that when he agreed to the job, it was touted as a way to engage local residents in Macon and cultivate arts programs in an attempt to revitalize the area. However, as he and Hill began to speak with the residents in the neighborhood where they were staying, they began to wonder if their real function was to “art wash” or push the area as an arts hub at the expense of the existing residents. One reason they suspected this, said Woodham, was that Macon’s black residents were telling them they felt they hadn’t been included by the Macon Arts Alliance, the organization spearheading the Mill Hill program.
Marieke Warmelink and Domenique Himmelsback de Vries sit at a booth offering free help as part of the Art in Odd Places festival. (Photo by Sabina Mollot)
By Sabina Mollot
While Union Square Park is generally known as a mecca of free speech, whether it’s for protests, dancing Hare Krishnas or lone, boisterous characters who may or may not be performing, apparently, according to one police officer, not all of the park is zoned for said free speech.
Ed Woodham, the creator of the long-running Art in Odd Places festival, which takes place each October along 14th Street, said this year, he was made aware of a “designated free speech zone” in Union Square Park.
This was on Saturday, when a police sergeant made two of the participating artists get up from where they were sitting in the park at a small booth.
The reason, Woodham said he and the artists were told, was that they had to move to an area where free speech was allowed, which would be identified by a green coin on the ground.
Not knowing where this was, Woodham asked the cop, “Will you show it to me?” and said he was told in response, “Well, it’s really hard to find.”
Woodham added, “‘That’s why I asked you to show it to me.’ He couldn’t do it.”
Lulu Lolo as Joan of Arc (Photos by Sabina Mollot)
By Sabina Mollot
Art in Odd Places, a decade-old arts festival that’s taken place along the length of 14th Street since 2008, ran this year from October 7-11, featuring dozens of performances and installations with the theme of “Recall.”
Due to the theme, the pieces were either highlights from previous years that were revived or expanded upon or inspired by the past.
As always, during the days AiOP is scheduled, finding a participating artist vs. one of the neighborhood’s more colorful characters isn’t always obvious, and on certain days when there are fewer participants, locating one can feel a bit like a scavenger hunt.
However, on Sunday, around a dozen artists could be found during an afternoon walk from Eighth Avenue to Avenue C that was guided by the festival’s curators, Sara Reisman and Kendal Harry.
A tumbleweed fashioned from discarded umbrellas, by artist Tim Thyzel, is part of the upcoming “Art in Odd Places” festival, which has the theme this year of “recall.” (Photo courtesy of Art in Odd Places)
By Sabina Mollot
Art in Odd Places, the annual outdoor visual and performance art show that’s made the whole of 14th Street its gallery since 2008, will be returning on October 7.
This is the 11th time the event has run in New York and this year, it will last five days, until October 11. The theme chosen this time around is “Recall,” which means the installations are either highlights from previous years, or reimagined versions of past projects, as well as some new works that are inspired by the past.
Fourteenth Street has been consistently chosen as the venue in recent years due to its location bordering several different neighborhoods.
A statue of NSA leaker Edward Snowden gets wheeled into Union Square Park. Not long afterwards, the sculptor, Jim Dessicino, was told he had to remove it. (Photo by Brian Wagner)
By Sabina Mollot
On Friday afternoon, NSA leaker Edward Snowden made an appearance at Union Square Park. Although greeted with enthusiasm by some, he was nonetheless thrown out of the public space that has been home to countless political protests, by a government official.
Of course, it wasn’t the real Snowden, but a larger-than-life-size statue, which had been on display as part of the annual Art in Odd Places festival on 14th Street.
And as for the reason for its removal, it wasn’t anything political, according to the Parks Department, but the statue’s creator, Jim Dessicino, had apparently needed a permit to have the statue in the park, and he didn’t have one. The statue was scheduled to have been on display at the park from 9 to 5 p.m. but at around 1:45 p.m. the Parks Enforcement Patrol officer told Dessicino that Snowden had to go.
“It’s a funny way our parks are run; even our public spaces aren’t really public,” Dessicino later said. However, he also noted, in an interview with Town & Village, that the officer who told him to leave was very polite, allowing him ample time to cart the statue away to his nearby car. “He said, ‘Listen man, I love your sculpture, but you just can’t have it here. My boss will have my head,’” Dessicino said he was told.
A Parks Department spokesperson, Philip Abramson, later told T&V what Dessicino had been told, which is that the reason for the removal was the lack of a “special event permit.” “No permit was issued though so we asked for it to be removed,” Abramson said.
Edward Snowden statue at Union Square Park (Photo by Brian Wagner)
But prior to the statue leaving the park, it got plenty of attention from the press and passersby, especially international tourists. Those stopping to look and ask questions included a Swedish woman, a group from France, a group from Israel and a man from Tunisia. They also seemed to like the spot Dessicino picked to display the statue, he said, which was a few yards away from the Lincoln monument outside the playground.
The attention it was getting is why Dessicino believes he was singled out while other festival participants in the park got to stay.
At the time he was shutting down his installation, this reporter was in fact speaking to two other artists in the park, both of whom weren’t being confronted by police or Parks Enforcement.
However, one of the artists, Ienke Kastelein, had previously gotten kicked out of another space, the sidewalk in front of Stuyvesant Town. Kastelein’s installation was a bunch of traveling chairs that she was inviting people to sit on and, if they chose to, engage her in conversation.
“A lot of people were getting booted from their spots,” Dessicino said.
And apparently, that is nothing new. Ed Woodham, a teaching artist who’s the founder of Art in Odd Places, told Town & Village that the festival doesn’t apply for permits so artists getting shooed away from the park has happened many times before and artists are also often made to leave the sidewalks in front of various properties. Normally, the festival works around this by letting artists know which areas are typically problematic.
“This year it slipped through the cracks,” Woodham admitted.
Earlier, he’d spoken with Kastelein, who’s from the Netherlands, and who became concerned after being told by Stuyvesant Town’s Public Safety officers that she’d need to take her project elsewhere. At the time, some of the residents were sitting in the chairs.
“She was on the sidewalk in front of Stuyvesant Town and they told her to leave,” said Woodham. “They’re pretty protective.”
A spokesperson for CWCapital didn’t respond to a request for comment.
Ienke Kastelein, in front of her installation, “Walking with Chairs” at Union Square Park, was previously told to move on from a sidewalk in front of Stuyvesant Town. (Photo by Sabina Mollot)
But, while Union Square Park has also been typically a place where artists are shooed away, Woodham said one artist had fought successfully for the right to display his piece, “Tourist in Chief” there. This was in 2011, and AiOP participant Leon Reid IV had initially been turned down by the Parks Department in his request to put a Yankees cap, camera and shopping bags on the Washington monument. So, “he got a lawyer and forced the issue,” Woodham said.
This year, he noted how one of the artists behind a project called “Complimentary,” Leah Harper, was also initially given the “private property” argument by a building’s management employees. The installation was a candy dispenser that gave out compliments on paper instead of candy. The employees had argued that the machine was attached to a beam that was part of the building. However, after speaking with a curator, they eventually changed their minds and let “Complimentary” stay.
“They said, ‘We’ve been looking to have art around here, anyway’,” said Woodham, who added that the owner even expressed interest in getting more art in the future.
Things also ended up working out for another artist, Kevin Townsend, who was told he couldn’t draw in chalk on the sidewalk. He ended up drawing in chalk on the windows of the 14th Street Y, after the Y gave him permission to do so, and the drawings remained on view throughout the weekend. Woodham added that the frequent resistance to the installations can sometimes work in artists’ favor. He called Snowden’s ouster from the park “wonderful” for the festival and the artist due to an article it got in the Daily News and other publications, including this one.
Additionally, by the next day, Snowden was back in action, appearing on 14th Street at 9th Avenue. After the festival ended, the statue left the city, with its next destination the Delaware Center for Contemporary Art. As for why Dessicino chose the National Security Agency whistleblower as his subject, the artist told T&V he had a few reasons.
“This person was important and I think will continue to be important,” said Dessicino. “Monuments are normally commissioned by governments, but (his) self-sacrificial action is not going to be recognized, and that’s why I stepped in.”
He added that he and Snowden are just a year apart in age. “I thought that he’s become representative of what millennials could do,” said Dessicino. “We often get termed as being self-serving and self-involved.”
As for Kastelein’s installation, during an interview, she said she’d gotten the idea for the traveling sit-down experiment from a residency she’d done at a psychiatric hospital. Patients there, she said, tended to be “disconnected” from their environment.
“In Dutch when you ask someone, ‘Where are you?’ you’re saying, ‘Where do you sit?’ They would say, ‘I’d rather be elsewhere,’ ‘so it’s ‘I’d rather sit elsewhere.’”
“Walking with Chairs,” she added, had been responded to positively by the public. Certain areas, like Union Square and Stuyvesant Town, were the most successful spots along 14th Street, in terms of getting people to actually sit down. “This is one place where people don’t hesitate to sit down,” she said of Union Square.
Meanwhile, in Stuyvesant Town, participants were interested in making conversation. “I connected to several people and had a very nice conversation about not communicating with neighbors, so this was a perfect way to communicate.”
An app of an alternate reality on 14th Street, created by John Craig Freeman, will be one of the featured works in AiOP. (Photo courtesy of John Craig Freeman)
Art in Odd Places, the annual art festival that’s been known to take over the length of 14th Street with site specific installations and performances, is returning soon for the 10th time.
This time, the event has been shortened to four days (it’s normally a week or longer), which, AiOP founder Ed Woodham said was to make it more concentrated so no one can miss it.
“The majority of the audience is people who come across it unexpectedly,” Woodham said. “It’s one of those magic New York moments.”
The event will run from October 9 to 12 along 14th Street from Avenue C to the Hudson River, with the kickoff celebration on Friday, October 10 from 6-9 p.m. at the entrance of Campos Plaza (on 14th Street between Avenues B and C). There will also be a few installations in other locations throughout the city, dubbed by organizers as “free agents.”
You know Art in Odd Places, the annual public art festival, has returned when the characters who act up on the M14 manage to be entertaining without getting into fights with the bus driver and the graffiti that pops up along local construction sites gets more creative than usual.
The event, which spans 10 days in October and is running for the ninth time in the city (the sixth time on 14th Street), kicked off last Friday.
The event opened with a low-key ceremony at the 14th Street entrance of Campos Plaza and several of the participating visual and performance artists keeping residents and passersby entertained.
This included a chance to get in touch with one’s past by having “Operator Loretta” (a character created by performer Lulu Lolo) dial the first number people could recall memorizing and seeing if they could actually get an answer.
One man, who was the first caller of the evening, dialed his mother’s number in Great Neck to let her know he wouldn’t be coming home for dinner.
“I don’t know if I really made contact,” he said afterwards, but the cat glasses-wearing “Loretta” assured him that “She’ll hear the message.”
Later, Lolo explained how the character came about, which is that when she ordered a vintage operator’s telephone from eBay, the previous user’s name, Loretta, was marked on it with a piece of tape. But even before that, she’d had an interest in vintage numbers, which went along with this year’s AiOP theme of “number” and had found that phone numbers from the 1940s along with the names of the corresponding New Yorkers were all available through a bit of research at the library. “ You knew where people lived by their phone numbers,” said Lolo, “if it was in Gramercy or Stuyvesant Town. I was looking up all the numbers on 14th Street.”
Another event participant, Shannon Novick, was behind a design of a virtual tour of 14th Street that participants can take via an app downloaded on any mobile device. Not having been to the area before (he’d just flown in from New Zealand), Novick created his tour with the help of an AiOP staffer who took photos of neighborhood points of interest and Google Maps. Those who take Novick’s tour, when holding up their smartphones, can read a bit of history about the various destination points while also listening to some accompanying music. For example, those who stop at the Liberty Inn will hear a song by the Rolling Stones since the band had stayed there.
For Novick, finally getting to see the places he’d researched from across the world “just blew me away,” he said. “It adds a whole new dimension to the work that I couldn’t see.”
Yet another artist, Pedro Gomez Egana, was making his way around Campos, wheeling around a wooden warrior he built. At the same time, curious onlookers could listen via headphones to a story that accompanied the walk. In it, the warrior, whose arm always points south regardless of the direction he was pulled in, clearly had an appetite for destruction. The story involved demolishing the FDR Drive, the Williamsburg Bridge and creating a tornado in Brighton Beach. Egana said he was inspired by an ancient Chinese mechanism called a south pointing chariot.
Meanwhile, as the event has grown in popularity (recently AiOP was debuted in Australia), Woodham said he’s also gotten some flack for not paying the artists who participate. But, he noted, no one involved gets paid, including him, because none of the art is for sale. “What we can offer is a support system and advice,” said Woodham, a teaching artist, “and these are really important things, and we offer freedom because we’re not behooved to anyone.”
The only rule artists really have to follow is to be “mindful” of the fact that everything is done in public, “so we’re not bombarding (people) with art, we’re suggesting art,” said Woodham.
For Friday’s festivities, the crowd was a mix of neighborhood residents and others who worked in the area, such as Lydia Matthews, who’d been to AiOP events in previous years.
“I always enjoy seeing all the different things,” said Matthews, “and when you hit a lot of the (installations) in one stretch, it’s very exciting.”
With this year’s festival having fewer participating artists than in previous years at around 30, the opening events didn’t draw a huge crowd, but to maintain a “festival atmosphere,” organizers have planned this year’s schedule so that there’s always something going on at any given time. AiOP, which began on October 11, will run through October 20 along the length of 14th Street from the Hudson River to Avenue C. There will be also be a “Critical Mass” Saturday with numerous artists participating at once from 1-5 p.m. on October 19 between Second Avenue and Avenue A.
Part of artist Tracey Worley’s “The Dirty Laundry Line” installation (Photo courtesy of AiOP)
Art in Odd Places, the public festival of visual and performance art that’s been known to take over the length of 14th Street every year, will return this week.
The event, now in its ninth year (its sixth on 14th Street) will feature works by over 30 artists whose installations or other projects will be seen from October 11 to October 20 from the Hudson River to Avenue C. An opening ceremony will be held at Campos Plaza, East 14th Street between Avenues B and C, on October 11 from 6-8 p.m.
On Friday, the eighth annual Art in Odd Places (AiOP) festival kicked off on East 14th Street, with about a dozen artists and performers taking over the entrance and sidewalk in front of Campos Plaza.
The festival is scheduled to run through October 15 and features a total of 112 visual and performance art projects taking place between Avenue C and the Hudson River. Its creator is teaching artist Ed Woodham, who this year chose the theme “Model” for the festival, with 14th Street taking on the role of the world’s longest runway.
At the opening event, much to the delight, amusement, indifference — or in a few cases horror — of passerby, the festival’s costumed participants danced, played music, created portraits, or, depending on the act, either interacted with event goers or completely ignored them.
Two-man act Brian and Ryan (last names Black and Bulis respectively) were the latter sort, as they were far too busy communicating with one another on their plastic cup phones and towering helmets.
Interfaith minister Rev. Lainie Love Dalby, who was also wearing a hat taller than she was, was the former type of performer as she offered blessings to passersby.
Dalby, who’s also known as the “Lady Gaga of Consciousness and Spirituality,” explained, “I mix the sacred and pop culture in my work.”
The blessings included a bit more touching than one might expect on the street from a smiling stranger, as well as a splash of rose and jasmine scented essential oils, but interestingly no one seemed put off by the intimate ritual.
In fact, Stuyvesant Town resident Irmgard Taylor, who attended AiOP after reading about the event in T&V, seemed delighted at having received a blessing on the street.
“This is wild,” she said. “A lady gave me a blessing and then she sang, looking at me.”
Taylor added that even though she lives across the street, she’d never stepped foot in Campos Plaza before.
“I can’t believe I’ve never been in this place,” she said. “This is such a neighborhood thing.”
A Peter Cooper Village resident, Council Member Dan Garodnick, also stopped by for a while after picking up his son Asher from daycare.
The father and son seemed especially interested in watching a group of dancers, who normally do their “B-boy” style routines on the subway, performing on the sidewalk.
“We just stumbled upon this,” Garodnick said, “but this is really one of those quirky New York events that makes the city great.”
Interestingly, the dancers’ group, called Acidic Soul, wasn’t even supposed to be part of the event. The scheduled artists were actually two Kansas City men who designed the robes worn by the performers, and they were originally planning to wear the robes themselves. However, when the duo spotted Acidic Soul’s members dancing at Grand Central station on Thursday, they asked them to join forces.
“They look much better than we do,” said Dylan Mortimer, one of the artists on the project called “Safety Robes.”
The garments were actually choir robes made from the orange material used in vests worn by safety workers, and depending on how they’re worn and where, could make the wearer look like he’s either directing traffic or giving a blessing.
Another one of the artists making her way around Campos Plaza was Lulu Lolo, whose art project was “The Gentleman of 14th Street.” Clad in a tux and top hat and even sporting an upturned mustache, Lolo said she was inspired by the defunct tradition of tipping one’s hat. Having had interacted with a number of people that way since the event began, the performer (an AiOP old hat herself) said people seemed to appreciate the old-fashioned gesture.
“People have been taken by surprise,” she said. “Everyone’s so into their technology, but people want to be acknowledged.”
Along with Lolo, other performers milling around included Jerome Porsperger, who was conducting a symphony that only those who donned a pair of headphones could hear, a dancer under a tent-like blanket moving to live music and a masked woman painted green who was letting a few giggling girls write on her body.
While strolling through the odd art in her normal place, DeReese Huff, president of the Campos Plaza Tenants Association, remarked, “It’s a great thing they’re doing here.
“It’s a little weird,” she added, “but it’s great. As you can see the tenants are loving it.”
For more information about Art in Odd Places, visit artinoddplaces.org or for real-time schedule information, see the event’s Twitter feed @artinoddplaces.
Art in Odd Places begins on Oct. 5 along 14th Street
September 29 Stuy Town Yoga
Stuyvesant Town is celebrating National Yoga Month with free outdoor classes on Sat., Sept. 29. Sun Salutation with Erin will be at 9:15 a.m. Power yoga with Chintamani will be at 10:15 a.m. Yoga master class with Justin will be at 11:15 a.m. Classes are free to all residents and will be held in Playground 10. National Prescription Pill Take Back Day
Precincts throughout the city will be participating in National Prescription Pill Take Back Day on Sat., Sept. 29 from 10 a.m. until 2 p.m. Additional information about the event is available by calling 311. Stuyvesant Town and Peter Cooper Village residents can bring their unused prescription pills and medication to the 13th Precinct at 230 East 21st Street.
October 1 CB6: Public Safety, Environment & Transportation meeting There will be a Community Board 6 meeting about the sanitation garage proposed for East 25th Street and First Avenue. The meeting will be on Mon., Oct. 1 at the NYU Medical Center, 550 First Avenue, Coles 109 at 7 p.m. and will include a presentation from Daniel Klein, the director of the Department of Sanitation Office of Real Estate. Edward Janoff of the Department of Transportation will also be at the meeting to provide updates on Kips Bay Plaza.
October 2 CB6: Parks, Landmarks & Cultural Affairs meeting
Community Board 6 will be hosting a meeting about the new Asser Levy playground and about crime reporting in public parks on Tues., Oct. 2 at the NYU Medical Center, 550 First Avenue, Coles 101 at 7 p.m.
October 4 Senior Resource Fair
Senator Liz Krueger will be hosting the 6th annual Senior Resource Fair on Thurs., Oct. 4 from 1:30 to 4:30 p.m. at the Temple Emanu-El, 1 East 65th Street at Fifth Avenue. Various exhibitors will be available to provide information to older adults about food stamps, health care, senior centers, social security, technology, legal services and other issues. Lenox Hill Hospital will be on site to offer blood pressure testing and NY Legal Assistance Group will offer help with health care proxies and living wills.
October 5 Art In Odd Places
Art In Odd Places is an annual art festival that takes place along 14th Street from Avenue C to the Hudson River. This year the festival will be from Oct. 5 to Oct. 15 and will feature poetry, performance, site-specific installations, videos, painting, sculpture, drawing, illustration, street art, mobile studios, design and music.
October 6 Roller Hockey Tournament
The annual roller hockey tournament will be held on Sat., Oct. 6 at 10 a.m. in Playground 7. The event will be open to residents 21 years old and up. Paddle Tennis Doubles Tournament
The annual paddle tennis doubles tournament will be in Playground 5 on the weekend of Oct. 6 from 10 a.m. until 5 p.m. on Saturday and Sunday. The tournament is open to residents age 16 and older. Worldwide Day of Play
Stuyvesant Town will be hosting a Worldwide Day of Play for residents on Sat., Oct. 6 from 10 a.m. until 12 p.m. on the Oval. All residents ages 5 to 11 will be able to participate in games, field events and Zumba. Zumba
There will be a Zumba class on Sat., Oct. 6 from 12 p.m. to 12:50 p.m. at Oval Fitness. This class is free to all residents on this day only and attending will earn a point for Maintain Don’t Gain. Outdoor Sports Screening: MLB Division Series
Residents will be able to watch the 2012 MLB Division Series Playoff on Sat., Oct. 6 from 1 to 7 p.m. on the Oval. The event is free for all residents and their guests.
October 13 Bocce Tournament
Playground PCV 1 will be hosting a singles and doubles bocce tournament on Sat., Oct. 13 at 10 a.m. The event is open to residents 16 years old and up. Thriller Dance
Stuyvesant Town residents will be able to learn the choreography to Michael Jackson’s iconic Thriller music video at Oval Fitness on Sat., Oct. 13 from 2 to 3 p.m. This event is free for all residents.