Walis Johnson, a filmmaker, artist and teacher at Parsons School of Design, is looking to interview residents of Stuyvesant Town who have lived in the neighborhood for 30 years or longer. The conversations will aid in her production of “The Red Line Archive,” a mobile art piece aimed at igniting public dialogue about the political, social and personal impacts of the 1938 Red Line Maps. The project will be part of the Art in Odd Places festival that takes place every October along the length of 14th Street.
Redlining refers to a federal map officially drawn in 1935 that selectively denied financing for housing mortgages, insurance and other services in neighborhoods demarcated by red shading on a map. Redlined neighborhoods became zones of disinvestment and urban neglect where services (both financial and human) were systematically denied to people of color and ethnic working class citizens.
For this years’ AiOP festival, themed “Race,” Johnson is working with photographer Murray Cox and NYU professor Aimee vonBokel to add information to the site specific exhibition about the area of 14th Street from First Avenue to Avenue C.